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Sunday: Rehearsal Gallery
Sarah Goodes, Ratidzo Mambo, abstruse Nikki Shiels. (Photo: Charlie Kinross)
Matt Gift and Nikki Shiels. (Photo: Charlie Kinross)
Jude Hyland countryside Nikki Shiels. (Photo: Charlie Kinross)
Nikki Shiels title James O'Connell. (Photo: Charlie Kinross)
(Photo: Charlie Kinross)
Sunday plays deviate 28 Subsidize - 7 Dec avoid Sydney Work House. Reservation your tickets now.
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Private Affairs, Australia’s 2021 Podcast of the Year, is Back for Season 2
The highly anticipated second season of Private Affairs, a romantic-dramedy fiction podcast, is set to premiere on 17 February.
The show centres around Vee, a Zimbabwean expat, and her Aussie partner, Luke, as they navigate an intercultural and interracial relationship. Vee is helped along by her newly married cousin and smooth-talking Bff.
This new season kicks off with an unforgettable 30th birthday trip to Thailand. The characters journey through a story touching on: work, mental health, reproductive choice and betrayal. Relationships will be tested and emotions will run high as this season leans into the drama.
The first season of Private Affairs was crowned Podcast of the Year and Best Fiction Podcast at the 2021 Australian Podcast Awards. Christine “Kix” Mwaturura, who was the 2022 Jesse Cox Audio Fellow, is the show’s creator, writer, director and producer.
See full article at Podnews.net
Anousha Zarkesh, Nathan Lloyd scoop Cga Awards
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Sunday: Director's Note
Jude Hyland, Sarah Goodes and Nikki Shiels. Photo: Charlie Kinross
Sunday Director Sarah Goodes on 'The Fantasy of Life'
Anthony Weigh and I first spoke about this play in 2017. For a long time, Melbourne Theatre Company had wanted to commission a story about the artists and patrons at Heide who forged such significant pathways in Australian modern art. I believe Anthony Weigh is one of Australia’s great writers and after living and working overseas it is an honour for him to be writing for the Australian stage and to finally work with him after years of admiring his work from afar.
Like many people, I first came across the people from Heide through Albert Tucker’s black and white photos. They show Joy Hester doing handstands, couples kissing under trees and languishing picnics, walks on beaches, artists painting on kitchen tables and cutting hair on the back stairs – they completely captured my poetic imagination.
Anthony’s idea to breathe life into these founding members of modern Australian art – and to do so as a fantasy by taking the bare bones and imagining the rest – was inspired. Because that’s what myth is, isn’t it? Part truth, part imagined. One