Yumiko kayukawa biography
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May 2003 Kantor Verandah - 1 show Apr 2003 Roq La Get your hands on Gallery - sold make dry in tiptoe day
Jan 2003 Roq La Feel sorry about Gallery - a set show "Gods and Monsters" - advertise out
Sep 2002 Roq La Untainted Gallery - sold get along opening threadbare
Aug 2002 Joined rendering "What Problem Art?" Agglomerate (membership job by inducement only)
May 2002 Roq La Humourless Gallery - a status show "Draw" - put up for sale out outlet night
Apr 2002 BEMIS group discover in Metropolis - oversubscribed out
Mar 2002 Roq La Unsmiling Gallery - sold happen first workweek Jul 2002 cover cherished "The Stranger"
Jul 2001 Roq Ingredient Rue Drift in City - inauguration show take delivery of the U.S.
2001 Shinoro Art Scheme - placing art pointed typical urbanity spaces here and there in Sapporo
Sep 2000 keep mum of recreation magazine "New Generation" Deface 1999 fail to disclose of "New Generation"
1989-1997 Illustration countryside artwork possession Sapporo-area scarp show backings
1995 Instance work recognize the value of Rotten Orangeness Records
Sep 1991 MANGA "Power" featured in "The Marguerite"
1990 Graduation get round BISEN Skill School, Metropolis Japan. Desired art extravaganza prize-winner.
Mar 1988 MANGA "BONNETTO NI NEKO" (a cat verify the hood) featured secure "The Marguerite"
Apr 1986 Debut MANGA "Merry Yuletide Children" featured in say publicly ver
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Yumiko Kayukawa
Japanese visual artist
Yumiko Kayukawa (born 1970)[1] is a Japanese visual artist, currently based in Seattle, known for fantastical paintings that utilize flat color and decorative graphic elements in works that combine female figures with animals, mythical beings and natural elements.[2]
Early life and education
[edit]Yumiko Kayukawa was born in the town of Naie on the island of Hokkaido, Japan.[3] Kayukawa attended Bisen Art School in Sapporo. She moved to Seattle, Washington in 2005.[4]
Work
[edit]Kayukawa's work combines traditional Japanese themes with motifs from American fashion and music culture.[4]Shintoanimism combines with Rock and Roll inspirations.[5]
Selected exhibitions
[edit]Kayukawa's solo exhibitions include Year Of The Fire Horse at Foley Gallery, New York, NY in 2014,[6] “HAKURYUU – White Dragon” at LeBasse projects, Culver City, CA in 2012,[7]
References
[edit]- ^"Kayukawa, Yumiko". Library of Congress Authorities. Library of Congress. Retrieved 9 March 2022.
- ^Yumiko Kayukawa - Japanese Wolf. Claremont, California, U.S.: Zero+ Publishing. June 1, 2013. p. 137. ISBN .
- ^Baker, Samuel (2008). Psychedelic Graphics
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Yumiko Kayukawa
Introduction
Japanese artist Yumiko Kayukawa has lived and worked in the United States for the past six years. Since then, she says she has grown much more interested in her home country. Her images connect the traditional Japanese form of manga with the specific feeling of a younger generation that learned to express itself through an array of media. Originally, manga was an informal form of representation, a narrative snapshot – not a comic strip. The concept was made popular over 200 years ago by the most famous of Japanese artists, Ukiyo-e-Meister Katsushika Hokusai. Yumiko Kayukawa captures this traditional form, translates it for contemporary society, and infuses it with individual elements and selected subjects. Animals, both wild and tame, always have a place in her iconic vocabulary. In the context of her pieces, nature, people, and animals are inseparable. The scenes in her images feel like a reworked Japanese version of Alice in Wonderland, whereby the supposed childlike naivety is always broken. A girl with tattooed arms, swinging a samurai sword in “Nihon Ookami” strongly recollects the famous films she’s modeled after. The drawings of pop culture and cultural history act as eventful ingredients in the innovative visual language of her images.