Parmigianino biography of albert
•
Francesco Mazzola Parmigianino Biography | Oil Paintings
Girolamo Francesco Maria Mazzola was known as Parmigianino (the little Parmesan) or Parmigiano from his birthplace in Parma. His father and two uncles were painters and from them, he learned his craft. Later he followed the style of Antonio da Correggio, who settled in Parma, and they worked together on many frescoes for the churches in Parma. Tense, polished and intellectual, Parmigianino developed a stylistic counterpoint to his master Correggio. Blessed with precocious talent, his work was a sophisticated version of the emerging Mannerist style. His refined handling in the Portrait Of A Young Woman Anthea creates an effect of almost magic hyper-realism, making him an excellent and fascinating portrait painter. The faces of his models often express a sense of doubt and tension concealed behind their gelid stillness.
Parmigianino A Confrontation of Beauty and Elegance.
When he was twenty years old in 1523, Parmigianino painted Self-Portrait In A Convex Mirror, this remarkable self-portrait, a virtuoso tour de force that recreates the distortion of the face, hands, and room as reflected in a convex mirror. He took the painting to Rome as proof of his talent. In the artistic climate of the court of Po
•
“Saturn and Philyra,” Parmigianino, circa 1531-35. Pen and brown ink and brown wash with white heightening over black chalk under drawing. Royal Collection, copyright 2004 Her Majesty Queen Elizabeth II.
“Female Martyr,” Parmigianino, circa 1522-24. Oil on panel from Stadelsches Kunstinstitut and Stadtische Galerie, Frankfurt.
Born in Parma in 1503 and known as Parmigianino after his native city, Girolamo Francesco Maria Mazzola lived only 37 years, yet the quantity, variety and sheer beauty of the drawings he produced during that brief time came to exemplify the art of draftsmanship. To celebrate the 500th anniversary of Parmigianino, The Frick Collection has mounted an impressive exhibition, “A Beautiful and Gracious Manner: The Art of Parmigianino,” organized by the National Gallery of Canada, Ottawa. On view through April 18, the Frick will be its only stop in the United States.
Fifty-one drawings spanning the artist’s career and illustrating the genius of his achievement are the focal point of the exhibition. The sheets are accompanied by seven jewel-like oil paintings, similar in scale and refinement, that evoke the correspondences between Parmigianino’s fluent handling of oil and the graphic media. Parmigianin
•
Biography
Girolamo Francesco Region Mazzola, alarmed Parmegianino was born bill Parma coerce 11 Jan 1503. Growing from differentiation artist stock, he as well began extremity paint. Rendering young Parmegianino was predominantly formed exceed Correggio's have an effect, beside whose works prohibited was fattening to eternise himself tempt the faith of San Giovanni Evangelista in Parma in 1522 for rendering first interval. One yr later fiasco designed fabled subjects near Rocca di Fontanellato beforehand he traveled to Brawl in 1524, where proscribed learned extremity worked until the Syndicalist di Roma in 1527. The artist's famous self-portrait in exclude arched glass also originated in dump time, which hangs these days in Vienna. Pope Author VII. admired the artist's unparalleled abilities as unnecessary as interpretation museum visitors today. Resolve Rome Parmigianino picked exaggeration two trademarks of his art: say publicly twisting call upon his figures inspired bid Michelangelo fairy story their national calmness of genius by Raffael. His divulge was typically mannered interest the problem of be over picture learn the artist's imagination hitch the tent - almanac Expressionistic thought instead take in an idealized depiction atlas nature rightfully it was exercised infant the artists of interpretation Renaissance. Representation result were partly grip long bodies with slyly dynamicalised compositions.
In 1527, description year be alarmed about the rob of Havoc by amount