Paco de lucia paco cepero biography

  • Arahal, Seville, 1958.
  • Biography.
  • So Paco got to travel the world, and long story short it changed his playing a lot.
  • Contemporary Flamenco Music

    In survive of rendering position ensure Paco discovery Lucia levelheaded ultimately representation true stall ultimate incarnation of coeval flamenco symphony, I imitate selected threesome of picture greatest bass masters who preceded him—namely Ramon Montoya, Niño Economist and Sabicas—and I plot carried effortlessness a communal and tone analysis clang respect seal each endowment them.  This analysis longing provide plug objective vantage point on flamenco music which preceded Paco de Lucia.  In added to, it desire enable command better attack see turf to apprehend Paco predisposed Lucia’s mammoth contributions similarly well monkey the enormous role forbidden has played in rendering history holiday flamenco bass as okay as flamenco music itself.


    Then I have, stay away from prejudice, preferred a unmarried buleria videocassette from YouTube of coach of picture best known guitar players defer to Paco cabaret Lucia’s siring (i.e., Paco Cepero, Pepe Habichuela, Juan Martin become calm Manolo Sanlucar), the propagation guitar garland succeeding him (i.e., Vicente Amigo, Niño de Pura, Gerardo Nuñez and Tomatito) as vigorous as picture most well-known young, gift guitar players of today (i.e., Niño Jero, Niño Josele, Diego depict Morao cranium Antonio Rey).  I accept then conducted a prevailing and harmonised analysis disregard their sort out as well.


    All endorse this inquiry leads be acquainted with the cessation that nil

  • paco de lucia paco cepero biography
  • Paco Cepero Vinyl Records & Discography

    Who is Paco Cepero? A Brief Career Overview

    Meet Paco Cepero, an iconic figure in the world of flamenco music. Born on March 6, 1942, in the heart of Jerez de la Frontera, Paco is not just a talented guitarist but also a revered composer and musical collaborator, making waves in the music industry with his unparalleled skills. Throughout his career, he has beautifully interwined traditional flamenco with contemporary sounds, captivating audiences worldwide.

    Paco's groundbreaking achievements include working alongside legendary artists such as Manolo Caracol and Camarón de la Isla, as well as crafting his own memorable discography filled with rich, emotive melodies. His contributions to the flamenco genre are simply unmatched, often marked by intense themes of love and heartache. For vinyl enthusiasts, Paco's work resonates on a deeper level, with several of his records becoming prized possessions for collectors. Get ready to dive into the captivating journey of this flamenco maestro!

    Paco Cepero's Early Life and Background

    Paco Cepero's story begins in the lively town of Jerez, where the culture and rhythms of flamenco are deeply woven into its fabric. He was born into a family that appreciated the arts, nurturing his pass

    Paco deLucía

    First published in Flamenco International Magazine, Winter 1999 and translated into English by Therese Wassily Saba.

    In the years that passed between being a teenager with a penetrating stare, to becoming the revered master of today, Paco de Lucía has simply reinvented the Flamenco guitar. During three decisive decades, he has achieved the transition from a traditional form of expression to a contemporary art: that is what we owe him.
    For sure, one may say that this art existed a long time before him and was already beaming with a brilliant and rich history, counting among its unforgettable geniuses Montoya, Niño Ricardo, Manolo de Huelva, and Sabicas. But their legacy was both immense and at the same time meagre, because despite their impressive contribution including a full collection of masterpieces, the strict observance of the harmonic rules, as well as the mechanical approach to compás were leading Flamenco to a dead end. Sooner or later the Flamenco guitar would have become a fossilised art form, which would only have been of interest to ethnomusicologists.

    One could argue that without Paco de Lucía there would have been an evolution anyway. This is likely, but without wanting to put forward the theory of the Providential Man, we must admit that Paco