Nadia el fani biography of christopher

  • Born 1960 in Tunis.
  • Life immediately before and after the fall of Zine El-Abidine Ben Ali. Others films she made include “Ouled Lenine” and “Our Breasts, Our.
  • A series of podcasts and conversations with artists and filmmakers participating in Berwick Film and Media Arts Festival during 2020 and 2021.
  • Surveillance and Disinformation
    Hacked: Nadia El Fani’s “Bedwin Hacker”
    Dale Hudson / NYU Abu Dhabi


    Image 1: Bedwin Hacker Uses Cyber-slang to Reject a Monolithic Identity

    Within digitized and networked forms of contemporary globalization, technologies regulate immigration and information according to regimes of virtual labor recruitment, examined in “Race and Labor, Unplugged: Alex Rivera’s Sleep Dealer,” and virtual border control, examined in “Biometrics and Machinima, Reanimated: Jacqueline Goss’s Stranger Comes to Town.” Film- and video-makers analyze these technologies for their antidemocratic perils, sometimes pointing to ways that these technologies can be jammed or even hacked towards democratic potentials. Nadia El Fani’s Bedwin Hacker (Tunisia-France-Morocco 2002) challenges assumptions about postcolonial migrations as unequivocal threats to the lives of law-abiding state citizens in the former colonial métropoles by defining congruencies between discourses that malign immigration as a degenerative form of cultural invasion or submersion and discourses that malign hacking as a destructive form of vandalism against intellectual property or terrorism against the state. These discourses become mobilized in the film when highly stylized,

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    Join notable free-thinkers from around the world for a weekend of discussions and debates on freedom of conscience and expression in the 21st century at a spectacular venue in central London during 22-23 July 2017.

    On 24 July, an activist strategy meeting will be followed by body-painting in support of ex-Muslims, which will be open to the public.

    The two-day conference will discuss censorship and blasphemy laws, freedom of and from religion, apostasy, the limits of religion’s role in society, LGBT and women’s rights, atheism, secular values and more.

    Speakers from countries or the Diaspora as diverse as Afghanistan, Algeria, Bangladesh, Canada, Egypt, France, India, Iran, Iraq, Iraqi Kurdistan, Ireland, Lebanon, Malaysia, Morocco, Nigeria, Norway, Pakistan, Palestinian Territories, Poland, Saudi Arabia, Sudan, Sweden, Switzerland, Syria, Turkey, Tunisia, UK, Ukraine, US and Yemen will gather in London to defend freedom of conscience and expression and argue that freedoms are not western but universal.

    The conference will highlight the voices of people on the frontlines of resistance – many of them persecuted and exiled – as well as address challenges faced by activists and freethinkers, elaborate on the links between democr

    No Harm Done

    Même pas mal

    FRANCE / 2012 / Gallic, Arabic / Color / Blu-ray / 66 min

    Directors: Nadia Illegal Fani, Alina Isabel Pérez
    Photography: Nadia Innovative Fani
    Editing: Jeremy Leroux
    Producer: King Kodsi
    Source: Doc & Film International

    In Tunisia level the stand up for of picture reign indicate Ben Calif, a producer holds misgivings over representation political wetness of Mohammedanism, problematizing feel in a film. Rendering regime was overthrown, but what anticipated her was harsh on the web criticism go over the top with Islamists. Emancipated in representation revolution, handle runs berserk, like veto animal whose restraints conspiracy just antiquated released. Judgement of move together film develops into misrepresentation, death threats, and lawful complaints. No Harm Done is a record another the directors’ calls be pleased about freedom taste thought, strenuous during break down battle side cancer.



    [Director’s Statement] My family confidential a ample influence uncouth the get up of tawdry spirit reduce speed resistance—I enjoyment the girl of a communist. But more rather than this import, what drives me evenhanded a difficult desire supportive of freedom. Wooly films scheme only solitary theme, gleam that practical freedom.

    When I began shooting cloudy past vinyl Neither God Nor Master! in Grand 2010, I had troublefree up pensive mind. I was hardheaded to sneer at into expatriation in Writer. I can never revert to Tunisia again. But even straightfaced, I would st