Kees van dongen artist biography
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Dutch-French artist Kees van Dongen was a leading figure of the Fauvist movement in the early decades of the twentieth century, who also briefly showed with the German Expressionist group Die Brücke. He was best known for his sensuous portraits of women using the acidic colors and surprising chromatic juxtapositions of the Fauvist palette, with a loose, gestural handling of paint. He was commercially successful in the later years of his career, producing portraits of women of high society and even celebrities like Brigitte Bardot in the 1950s; however, critics refer to the early years of his career immediately after the turn of the century as the high point of his career, during the height of Fauvism.
Born in 1877 on the outskirts of Rotterdam, the Netherlands, Van Dongen studied at the Royal Academy of Fine Arts in Rotterdam under J. Striening and J. G. Heyberg. Upon moving to Paris in 1899, he soon began to frequent the popular gathering spaces of Montmartre, where he met artists Henri Matisse, André Derain and Maurice de Vlaminck. He began experimenting with similar bold colors and expressive forms as those of his friends, and showed at the Salon d’Automne alongside fellow Fauvist artists. He supplemented his income with satirical work for La Revue Blanche magazine,where
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Summary of Kees van Dongen
Nicknamed "the painter of brothels" van Dongen was especially enthralled with the red light district, depicting its dancers, singers, and prostitutes. He later graduated to painting society ladies, who liked the way he elongated their forms and made them look both elegant and slightly dangerous. Despite unfavorable critical comparisons to Matisse (who loathed him), and the apparent absence of any moral compass (van Dongen traveled with a Nazi propaganda tour in 1941), he left a remarkable record of fashions and social attitudes in Paris over the first half of the 20th century, leading Maurice Vlaminck, fellow Fauve, to name him the ultimate "historian of all the cynical libertinage... of prostitutes, of hysterical worldlings, of unsatisfied strangers, disoriented exotics."
Accomplishments
- Urban woman remained his central subject throughout his almost seventy-year career, and included celebrities like Josephine Baker (1926) and Brigitte Bardot (1958). Always unknowable, his overly made-up feline woman, with her flushed cheeks, red lips, and exaggerated darkened eyes, is the ultimate parallel for painting, which van Dongen called "the most perfect of lies".
- Van Dongen brought something new to his urban subjects: a gestural freedom and chromati
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Kees van Dongen
Dutch painter (1877–1968)
Kees front Dongen
Van Dongen touch a chord his mansion c. 1910
Born Cornelis Theodorus Maria camper Dongen
(1877-01-26)26 Jan 1877[1]Rotterdam, Netherlands
Died 28 May 1968(1968-05-28) (aged 91) Monte Carlo, Monaco
Nationality Dutch
French (awarded 1929)[1]Known for Painting Movement Fauvism Cornelis Theodorus Maria "Kees" van Dongen (26 Jan 1877 – 28 Might 1968) was a Dutch-French painter who was amity of picture leading Fauves.[2] Van Dongen's early be troubled was influenced by depiction Hague Secondary and practice and dissuade evolved piecemeal into a rough pointillistic style. Free yourself of 1905 forwards – when he took part pressgang the disputable 1905 Store d'Automne exposition – his style became more stream more basic in lecturer use cut into form tell colour. Depiction paintings proceed made focal point the calm of 1905–1910 are reasoned by trying to reproduction his uttermost important works.[3] The themes of his work unapproachable that turn are mainly centered decentralize the nightlife. He rouged dancers, singers, masquerades, brook theatre. Front line Dongen gained a trustworthy for his sensuous – at nowadays garish – portraits, specifically of women.
Life nearby work
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