Frederick childe hassam biography of donald
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Frederick Childe Hassam (1859 - 1935)
Frederick Childe Hassam was born on October 17, 1859 in Dorchester, Massachusetts. He was the son of Frederick Hassam, and Rosa Delia Hawthorne (also written as Hathorne).[1][2][3]
He was a painter famous for his Impressionistic style, so much so that he was dubbed 'the American Monet'.[4]
His ancestor, William, had come from England to America, (usually to be found under the original family name Horsham or Hasham), in the seventeenth century. Childe Hassam had an eccentric and colorful clockmaker for a grandfather, (Stephen Hassam) and his father, Frederick Fitch Hassam, was a moderately successful cutlery businessman and respected curator of art and antiques. [5]
| The Water Garden, c. 1909 |
In 1876 young Hassam was apprenticed to a local wood-engraver and soon thereafter became a free-lance illustrator. His father later sent him to study art in Paris, where he developed his love for the impressionist style of painting. [6]
Upon his return from Europe, in 1884, Hassam married Kathleen Maude Doane, a childhood friend, and they lived in Boston until the spring of 1886 when the couple left for Europe.[7]
He was born Frederick Childe Hassam, but later in his artistic career, his friend, the writer and p
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Late Afternoon, Original York, Winter
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Summary of Childe Hassam
Childe "Muley" Hassam enjoyed the mystery surrounding his moniker. Playing off the confusion from his surname as to whether he was of Arabic descent, Hassam adopted "Muley," a corruption of the Arabic word for "master," in reference to a 15th-century Moorish ruler who appears in Washington Irving's writings. The nickname is fitting, since Hassam's stature as one of the giants of American Impressionism has remained unchallenged since his death. Influenced greatly by French painters of the 1870s and 1880s, Hassam turned his art into an industry that mirrored the rapid industrialization of America at the turn of the 20th century. In hundreds of works, he strove to depict both the frenzied pace of city life as well as the unspoiled expanses of nature that provided a respite from the urbanization, propagating a certain pride in the nation's past as well as present.
Accomplishments
- Hassam's work, like that of the French Impressionists, is intimately concerned with the interaction of light, weather, and surface, especially as they change with the movement of elements within the scene, and often in concert with the frenzied pace of modern urban life. But unlike the French, Hassam avoids uncomfortable political issues in favor of an optimistic view of