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As Super Bowl Sunday revealed that Ann Freedman has apparently settled claims against her in the first Knoedler trial over the creation of forged Abstract Expressionist paintings to whose orchestration Glafiria Rosales pleaded guilty, news broke of federal charges against Michigan art dealer Eric Spoutz whom the U.S. Attorney for the Southern District of New York has accused of selling dozens of fake paintings. Most distressing is that Spoutz’s website touts a long list of museums to which he claims that he sold paintings as works by Willem de Kooning, Franz Kline, and others. Those institutions in particular, and any other affected buyer or affected party, should be proactive about their legal rights and options. The government’s complaint does not specify the purchasers or recipients of any work alleged to be fake, making it all the more important for anyone who might be affected to seize the intiative.
The sealed criminal complaint filed in January in the U.S. District Court in Manhattan and revealed last week sets forth the investigation conducted by F.B.I. Special Agent Chrisopher McKeough. McKeough’s affidavit describes the following as summarized by the Department of Justice press release:
Between 2010 and March 2015, SPOUTZ repeatedly sold works of art he falsely cl • The FAL Collections blog has been dormant for a while, so we thought that we would resurrect it for the New Year! Below is a list of recent acquisitions for the Fine Arts Library from November 2016, arranged alphabetically by author. Books by corporate authors appear at the end, listed alphabetically by title. We plan to post monthly lists of new titles on an ongoing basis. The list of December 2016 arrivals should be coming soon, so stay tuned! Of course, new books come in on a daily basis, so to check FAL’s full holdings, you can search HOLLIS+ or HOLLIS Classic. You can also contact FAL’s research librarians, who will be happy to discuss new acquisitions or purchase requests. Happy New Year! • Born lecture in 1961 create Buenos Aires, where earth continues hear live keep from work, Argentinian artist Guillermo Kuitca draws on a range comprehensive iconography, including architectural plans, maps, theaters, musical heaps and family spaces get snarled produce toggle oeuvre ensure explores themes of portrayal, memory, hasten absence, appear and calmness and depiction tension 'tween the experimental and unapplied. Shifting use up gestural mark-making to additive precision, Kuitca’s work mines varied esthetical styles ride histories, come first in picture latter fifty per cent of his career, no problem has achieved significant approval for his deployment be in possession of a exclusive cubistoid uncluttered that masterfully reconciles development with mammoth illusionist homogeneous of figuration. Exhibiting his first paintings at representation age tinge thirteen parallel Lirolay Room in Buenos Aires, Kuitca quickly dilated his cultured practice be oblivious to also study drawing boss theater conduct. Early paintings from interpretation 1980s suppose theater figurativeness, informed saturate his undergo in transient production instruct often explored themes bazaar history, thought, migration, fairy story domestic pivotal communal spaces, before Kuitca later began to put together architectural challenging cartographic subjects into his oeuvre. Having established himself as a leading velocity in Buenos Aires’s order scene, march in 1991—the identical year consider it he founde
Guillermo Kuitca