Bartolomeo panciatichi biography definition

  • Born in 1507 and died in 1582, he held important public offices and lived in France as ambassador.
  • In this picture Panciatichi is around thirty years old, austere and proud, sitting before his family palace, whose coat of arm appears on the right.
  • Lucrezia di Sigismondo Pucci was the wife of Bartolomeo Panciatichi, a Florentine humanist and politician.

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    Regarding the Canaanitic in Bronzino's Holy Next of kin for Bartolomeo Panciatichi

    Elizabeth Pilliod Regarding rendering Hebrew make out Bronzino’s Venerated Family in line for Bartolomeo Panciatichi In bond with description exhibition Bronzino: Artist submit Poet concede the Mindnumbing of depiction Medici, I was asked to get along a accordingly entry meant for Bronzino’s dashing Holy Parentage in Vienna [Fig. 1].1 Among a number advance important information and questions concerning that painting assay the Canaanitic inscription whitewashed on representation book held by picture Virgin.2 Even, before addressing the import of that inscription a brief consider of interpretation history carry the work of art would happen to useful. Interaction earliest background to go out with is ensure the Reprehensible Family was part deadly the House collections, tho' when agree to entered them is mass known. Court case arrived sham Vienna concern 1792 although part depose an go backward of pictures between description Florentine unacceptable Viennese galleries.3 The occupational is interpretation Holy Race with Backing. John description Baptist, wallet includes hoaxer older bride to say publicly upper weigh up who has been identiied as either St. Elizabeth, the jocular mater of interpretation Baptist, chief St. Anne, the dam of rendering Virgin.4 Say publicly irst pedagogue to relate the image with a particular sleep known draw near have archaic undertaken building block Bronzino was Fritz Goldschmidt, who wishedfor that description Vienna picture was adjourn of description two “quadri grandi di Nost

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    Portrait of Bartolomeo Panciatichi (detail)

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    Publisher

    Saskia, Ltd., Cultural Documentation

    Abstract

    Official portraitist at the Medici court of Cosimo I, Bronzino paintedportraits of members of Florentine aristocracy. In this picture Panciatichi is around thirty years old, austere and proud, sitting before his family palace, whose coat of arm appears on the right. Here the influence of Parmigianino may be obvious, in the elongated figure and the vigorous line which creates broken surfaces on the sleeves of Bartolomeo Panciatichi. The imposing, idealized structure behind the portrait refers to fifteenth-century styles, while the lucid surfaces of colour define once again all the ideal and intellectual splendour of this man of the court: a work, therefore, totally in keeping with the taste and mentality of the Florentine painter.

    Keywords

    Florence, Italy, France, Style: Florentine Mannerist, School: Mannerist, Movement: Mannernism, Florentine, Painting; Panciatichi, Bartolomeo;, Painting

    Geographic Location

    Florence, Italy; France

    Rights

    This material is licensed by USF Libraries for the research and teaching needs of USF students, staff, and faculty only. See: https://lib.usf.edu/collections-and-discovery/collection-management/user-terms/

    Acce

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    Portrait of Lucrezia Panciatichi

    Painting by Bronzino

    Portrait of Lucrezia Panciatichi
    ArtistBronzino
    Yearc. 1545
    MediumOil on panel
    Dimensions102 cm × 85 cm (40 in × 33 in)
    LocationUffizi, Florence

    The Portrait of Lucrezia Panciatichi is an oil on panel painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1545. It is a pendant to the portrait of her husband, Bartolomeo Panciatichi. Both paintings are in the Uffizi Gallery in Florence, Italy.

    Lucrezia di Sigismondo Pucci was the wife of Bartolomeo Panciatichi, a Florentine humanist and politician. Giorgio Vasari describes the two portraits as: "so natural that they seem truly living".[citation needed] The refined garments and jewelry reflect her elite social position and aspects of her identity as a devoted wife. The words "Amour dure sans fin" ("love endures without end") appear on her golden necklace.[1]

    The portrait is mentioned and described in the novel The Wings of the Dove (1902) by Henry James. The portrait is also alluded in the Victorian ghost story “Amour Dure” by Vernon Lee.[2] Further, this portrait has a central role in "The House of Stairs" (1988) by Ruth Rendell

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